March 22, 2017
To start, this article will probably not do this incredible production justice. The latest at the John W. Engeman Theatre of Northport, Jekyll & Hyde, The Musical, is absolutely electrifying and the Broadway caliber cast is positively glorious. This is, without a doubt, a must see for Long Island this season. And by the reaction of the sold out audience on opening night, you may want to get your tickets quickly as this runs through April 30th.
Set to a commanding pop-rock score by Frank Wildhorn (music) and book writer Leslie Bricuse (lyrics), the thriller follows Dr. Henry Jekyll attempting to cure his ailing father’s illness by separating “good” from “evil” in the human personality. Dr. Jekyll, however, inadvertently creates an alternate personality of evil – who he names Mr. Hyde – and wreaks horrifying havoc in London.
Paul Stancato wonderfully directs and choreographs the brilliant cast headed up by Nathanial Hackmann. A wondrous talent and spectacular voice make Mr. Hackmann a natural in the role(s). His sharp attention to detail for each character (stance, movement, ext.) is inspired. This particularly during the intense “Confrontation” number where Jekyll is battling Hyde to be free from his murderous grasp.
And, naturally, the leading ladies are dazzling. Liana Hunt portrays Emma, Dr. Jekyll’s fiancé. Emma’s sweet devotion to Dr. Jekyll balances well with her headstrong demeanor. Indeed, her rendition of “Once Upon a Dream” is met with thunderous applause. And Caitlyn Caughell is superb as Lucy, the main attraction at The Red Rat, a sleazy club. Just as Jekyll has a “light” and “dark” side, Lucy is the “dark” to Emma’s “light” as Lucy is deeply attracted to Hyde. Ms. Caughell’s performance of “Bring on the Men” was particularly fun and sassy.
I really could go on and on (and on!) about the entire cast, but I think you get the idea that the entire company is really outstanding.
As for Mr. Stancato’s amazing creative team, a clever set by Stephen Dobay is enhanced ideally (and, at times, chillingly) by Keith Truax’s lighting (Dr. Jekyll’s basement laboratory is a highlight). The mood and tone is set perfectly under the musical direction of Kristen Lee Rosenfeld and her orchestra with Laura Shubert‘s spot-on sound design. Additionally, Kurt Alger’s costumes are breath-taking.
Even as I write this, I am still rendered speechless at this exhilarating production. A top-notch production with an unnerving story make for a thrilling night of theatre.