A beautiful wood-paneled lounge on main street serving Long Island’s finest Drinks before and after each performance.
● Extensive wine list by the bottle and glass.
● Full cocktail selection.
● Draught and bottled craft beers.
Northport’s John W. Engeman Theatre does it again with a thrilling production of Tony award-winner Matilda, the musical. The lavish incarnation, superbly directed by Igor Goldin, runs at the exquisite Long Island venue through December 29th. And, based on the audience reaction opening weekend, you may want to get your tickets quickly.
Based on the classic 1988 Ronald Dahl children’s book, we follow five-year-old Matilda. She’s precocious, loves to read, and, unfortunately, has a horrible family. However, she knows what she wants and her worth which is beyond amazing. It is also hilarious when she gets revenge on everyone who have been needlessly unkind to her.
Elsa Dees and AnnaBelle Deaner alternate the titular role. Elsa is enjoyable, has great stage presence for someone so young, and brings lots of laughs when needed as this show is kind of an emotional roller. I had the pleasure of previously seeing AnnaBelle in productions of Annie and Once at the Engeman. She is such a firecracker and also a great choice to portray Matilda. It is also a treat seeing Michael Perrie, Jr. back on the Engeman stage as Mr. Wormwood, Matilda’s rotten father. He does put a great comedic spin on the role. In all honesty, the entire company is truly top-notch.
On the brilliant creative team, Nate Bertone‘s set is well done. Enhanced by Jose Santiago’s atmospheric lighting and Mara Newbery Greer’s entertaining choreography, you will be captivated by this production as you leave the theatre. Leave it to the Engeman for another visually stunning show.
The Engeman will not disappoint and this is indeed a must see for the holiday season. A top quality production, talented & beautiful cast, and a classic tale make for an exhilarating evening of theatre.
It may seem that productions of Tony winning musical Sunset Boulevard are a dime a dozen. But when it is playing at the exquisite John W. Engeman Theater, you know it is a must-see. Running through October 27th at the Northport venue, the show boasts a fantastic, affecting cast.
In the two act tuner directed by Matt Kunkel, we follow Norma Desmond living – mentally – in the past of her glorious career as a legendary silent film star. She has yet, transitioned to the talkies. It is a very moving story. She lives in a run-down house and believes she is still the toast of the town.
Judy McLane brilliantly leads the cast as Norma commanding the stage at every moment. Indeed a favorite of the enthusiastic audience is her rendition of “As If We Never Said Goodbye”. She makes a great team with Bryant Martin who portrays Joe, an up-and-coming writer who tries to take advantage of the situation when he end up at Nora house. David Hess is also a highlight as Max. Mr. Hess’ “The Greatest Star Of All” doesn’t leave a dry eye in the house. The entire company is excellent.
On the creative team, Paige Hathaway‘s set is well done. It’s minimal with several rolling pieces for seamless scene changes. Enhanced by Kurt Alger‘s beautiful costumes and John Burkland lighting, this production is stunning. And, of course, it is always thrilling to have a live orchestra accompany the cast this one superbly led by Musical Director Charlie Reuter.
Sunset Boulevard is an emotional show, but one of the greats to see. Again, we may see it performed a lot, but when you have a cast as good as the Engeman’s, it’s worth another look.
SATURDAY NIGHT FEVER THE MUSICAL at John W. Engeman Theater
July 18, 2019
By Anthony Hazzard & Scott Stolzenberg
Put on your bell-bottoms and hustle your way down to the Engeman Theater where “Saturday Night Fever The Musical” is electrifying groupies and keeping disco alive! The stage musical based on the 1977 movie starring John Travolta is an entrancing blast from the past and a blissful trip in a radical time machine.
Right where we left him, Tony Manero is still working in the paint store by day and has dance fever by night. His brother the priest stole the limelight at home and dancing is Tony’s love and passion, besides his hair. Michael Notardonato is our big star here and he is an outstanding Tony. In true Travolta fashion, Notardonato roped us in with his looks and moves from the very beginning and had us rooting for him the whole way. Whether putting on his boogie shoes or igniting a disco inferno, Notardonato carries the production on his theatrical shoulders and dazzles us from start to finish.
Poor Anette, played by a charming Andrea Dotto, wants Tony bad but he’s got his eyes set on the prize for best dancer and a Brooklyn born dancer/do-gooder Stephanie played by knockout Missy Dowse. Both Dotto and Dowse shake and shimmy their way into Tony’s heart and light up the dance floor every chance they get. Kudos to Stephanie for wanting to better herself yet our heart always went out for Anette!
Tony’s four main confidants and thugs are in terrific form. Matthew Boyd Snyder, Christopher Robert Hanford, Steven Dean Moore, and Casey Shane are all top notch performers with snappy moves and spirited voices. Look out for Mr. Snyder’s brilliant falsetto! Other major standouts include Gabriella Mancuso as Candy, Colin E. Liander in a multitude of roles, and a talented ensemble chock full of young stars and starlets.
The retro choreography created by Breton Tyner-Bryan keeps the show soaring above the 70’s clouds along with the best of The Bee Gees song catalog performed by a swinging band led by Chris Rayis. Director Richard Dolce did a fine job essaying this cult musical to the Long Island stage.
When “Saturday Night Fever” the movie opened, fans flocked to it making it one of the most successful movie musicals in history. This groovy stage adaptation does not disappoint and for those of us old enough to have seen the movie about a hundred times, there’s certainly no harm in revisiting an old classic and gazing back into the disco ball now and again.
Closing out The John W. Engeman Theatre’s dazzling season is a thrilling a showing of Elton John & Tim Rice‘s Aida. The beautiful Northport venue outdoes itself with the lush production of the heart-tugging musical. Excellently directed by Paul Stancato, the cast is remarkable drawing the audience in at every turn.
Running through June 23rd, the tale is about love, loyalty, and betrayal. We follow the love triangle between Aida, a Nubian princess stolen from her country, Amneris, an Egyptian princess, and Radames, the soldier they both love. The soaring score only clinches why this show is a Tony Award winner.
Kayla Cyphers is exquisite in the titular role. In particular, her heartbreaking performance of “Easy As Life” doesn’t leave a dry eye in the house. Ms. Cyphers makes a fantastic team with Ken Allen Neely, who skillfully portrays Radames. They carry the audience on an emotional roller coaster as the forbidden love of Aida and Radames grows. Also, Jenna Rubaii is stellar as Amneris, the Egyptian princess to whom Radames has been betrothed. Her performances of “Every Story Is A Love Story” is truly captivating. The full company is genuinely brilliant.
On the talented creative team, Michael Bottari & Ronald Case design the fantastic set. Rolling pieces and everyone contributing make for seamless scene changes. The atmospheric and sometimes chilling lighting by John Burkland enhances the visually moving show. Add in Kurt Alger‘s costumes, and you have a very touching production.
It’s evident that Aida at Long Island’s John W. Engeman Theatre is a must-see for this season. In true Engeman fashion, they do not disappoint. An emotional tale and a superb cast make for a very stirring night of theatre.
A GENTLEMAN’S GUIDE TO LOVE & MURDER at The Engeman
March 22, 2019
By Melissa Giordano
It is a real treat that The John W. Engeman Theatre is currently mounting A Gentleman’s Guide To Love & Murder. The top-notch cast is remarkable leaving the audience in stitches. The hit show plays the beautiful Northport venue through April 28th, and it is sure to be a must-see this season.
The two-act farce, wonderfully directed by Trey Compton, tells the tale of Monty who has learned that he is an heir in the famed D’Ysquith family. When he realizes he’s ninth in line, Monty shrugs off his findings thinking the family wouldn’t even know who he is. However, he wonders if he could make it to the top of the family tree by bumping off those who stand in his way. Don’t worry about the murders; this is an all-out comedy.
Indeed collecting the most laughs is Engeman vet Danny Gardner portraying each member of the D’Ysquith family who is before him in the heritance. Mr. Gardner does a tremendous job giving each family member a very distinctive personality and his top-notch comedic delivery. Mr. Gardner makes a great team with Sean Yves Lessard who charmingly portrays Monty. Of course, the women of the cast are stellar. Katherine McLaughlin is adorable as the pious and witty Phoebe D’Ysquith. Moreover, Kate Loprestis superb as sassy Sibella. In truth, I really could go on and on about the entire company as they all extraordinary.
On the talented creative team, Nate Bertone‘s set is well-done. Portraits of Mr. Gardner as each of the D’Ysquith’s hang along the outside of the stage. On the stage, it is mostly a stationary set bringing in rolling pieces for each of the locales. The wigs, perhaps, could have been more to the Engeman’s high standards, but I digress. This is enhanced masterfully by Matthew Solomon‘s relevant costumes from 1900’s London; corsets and suit tails abound. Also, it is always thrilling to see a live band this one excellently headed up by James Olmstead. They deliver the Steven Lutvak/Robert L. Freedman score splendidly.
As you can probably tell, A Gentleman’s Guide To Love & Murder is another hit for Northport’s John W. Engeman Theatre. A remarkable cast and entertaining story make for an enjoyable night of theatre.
ELF THE MUSICAL at The John W. Engeman Theater At Northport
November 19, 2018
By Anthony Hazzard & Scott Stolzenberg
You better watch out, you better not cry, you better not pout, we’re telling you why, Buddy the Elf is coming to town! In fact, he just opened an effervescent production of “Elf The Musical” at the John Engeman Theater in Northport.
Based on the charming and popular film starring Will Ferrell, “Elf the Musical” has become the new holiday staple first staged on Broadway, then the Theater at Madison Square Garden, and now popping up everywhere. With swift direction by Matt Kunkel and fizzy choreography by Mara Newbery Greer, the Engeman’s “Elf” is spreading holiday joy and warming every heart.
The experienced Erik Gratton plays Buddy, the elf who accidentally went home with Santa one Christmas Eve and grew up at the North Pole until one day, he sets out for New York City to meet his birth father. Along his journey, he meets many interesting characters, some nicer than others, and just wants to make people happy. So the quirky elf puts syrup on spaghetti and is enthralled with the paper shredder that makes unlimited snow! He means no harm and only wants to be a platinum member of his human family.
Mr. Gratton’s fantastic Buddy takes us along his magical journey with pizazz. Each production number is a spectacle and Mr. Gratton relishes in the Christmas spirit right up to next Christmas. His father Walter Hobbs, played by the great Joe Gately, is definitely a softer soul than James Caan in the movie. Walter learns to love Buddy and reconnect with his distant family.
Broadway veteran Christianne Tisdale is a loving and endearing Emily Hobbs, wife of Walter, stepmother to Buddy, and mother to Michael played by the excellent Zachary Podair. Master Podair has an outstanding singing voice and gives us reason to believe that everything will turn out alright in the end.
Buddy’s love interest Jovie is played by the sweet Caitlin Gallogly who not only supports Buddy but proudly in act two ties up all loose ends. Standout performances include Nicole Hale as the wisecracking secretary, Richard B. Watson as scrooge Mr. Greenway, and Randy Donaldson as the energetic store manager. Other scene stealers include the magnificent Jacob Melssen and Matthew Varvar who appear in various roles throughout the production.
Finally, Gordon Gray is a perfect Santa Claus. How could we give Santa a bad review? He serves as the storyteller and we wish him the same merriment he presented to all of us. All the stellar cast members are fun and fabulous including Lauren Gobes, Trevor Michael Schmidt, Danielle Nigro, AJ Lockhart, Andrew Aaron Berlin, Sophia Deery, Kieran Brown, Tiger Brown, and Halle Mastroberadino. As the holiday season approaches, “Elf The Musical” reminds all of us that family is most important and makes us wish that Buddy the “sparklejollytwinklejingley” Elf was a part of our family!
NEWSIES Reigns ‘King of New York’ at the John W. Engeman Theater At Northport
July 27, 2018
By Jaime Zahl
The second act of Disney’s “Newsies” opens with a show-stopping number titled “King of New York,” in which the Newsies celebrate their newfound celebrity in the press. The cast and production team of the John W. Engeman Theater’s stunning production have equal reason to celebrate. Bringing to life a spectacle of pure entertainment, they earn the title of “King of New York” – or Long Island, rather.
The musical began as a venture at The Papermill Playhouse, featuring emerging talents such as Jeremy Jordan, Ben Fankhauser and Kara Lindsay. When the Broadway run was announced, Mr. Fankhauser – who originated the role of Davey- recalled in an interview that it was meant to be a limited run of approximately 100 performances. No one anticipated the cult following that would emerge, with self-proclaimed “Fansies” making their pilgrimage to New York City to see the musical adaptation of the live-action Disney musical film that captured their imaginations in 1992 and the years to follow.
It’s fitting that the musical has now become a regional theatre favorite, giving those “Fansies” the opportunity to see the show in their own towns. Engeman’s production may be the first of “Newsies” on Long Island, but it certainly won’t be the last.
The remarkable magic of Engeman’s production is that it cleverly combines the lively expanded and revised score and new book of the Broadway production with the delightful campiness of the 1992 film while also tossing in a few original strokes of creativity.
Set in 1899, the musical – based on actual events – tells the story of Manhattan newsboys facing off against newspaper giant Joseph Pulitzer after he raises the cost of selling “papes.”
Leading the charge is Dan Tracy as the charismatic Jack Kelly. While many fans will find it hard to put Jeremy Jordan‘s tour de force in the Broadway incarnation out of their minds, Mr. Tracy shapes his own interpretation of the character with a balance of wise cracking charm and fighting spirit. Although it is clear his talents as an actor outshine his vocal abilities, Mr. Tracy still gives each number his all – especially in the conclusion of Act II with the powerful “Santa Fe.”
Mike Cefalo plays Davey with true vitality and provides some of the strongest vocals in the show, highlighted in the crowd pleasing “Seize the Day.”
While Mr. Podair’s Les certainly has pep and shows his promise as a performer, the character is written with such an overindulgence of cute that his presence becomes more of a hindrance than an asset.
Meanwhile, Mr. Martinez comes close to stealing the show with his palpable vulnerability and wide-eyed hopefulness. His song “Letter From the Refuge,” written for the national tour and cemented in regional and community productions, is truly heartwrenching.
Fans of the film may not remember the character of Katherine Plumber, the plucky reporter covering the strike for The New York Sun. A hybrid of reporter Bill Pullman and Davey’s sister from the film, she provides a voice for the newsies in the headlines while also serving as a love interest for Jack. Whitney Winfield is perfectly suited for the role, shining brightly in “Watch What Happens,” a reporter’s anthem for writer’s block.
Rounding out the cast is none other than Mr. Joseph Pulitzer himself, played menacingly by Tom Lucca in a brilliant, timely display of power thirsting authority. The musical also features the impressive Allyson Kaye Daniel as vaudeville songstress turned motherly mentor for the newsies.
However, audiences will likely remember the production for the sheer athleticism and skill exhibited by the chorus of newsboys. Although one could argue there are one too many choreographed reprises of the opening song “Carrying the Banner,” each and every leap, turn and backflip is awe-inspiring.
This is especially true in “King of New York.” Although originally presented as a tap number, choreographer Sandalio Alvarez breathes new life into the scene with dance breaks featuring Stomp-like moves with spoons and pots and pans.
The entire creative team is top-notch with both beautiful and movement-friendly period costumes by Kurt Alger and the impressive technical execution of Zach Blane‘s lighting design and Laura Shubert‘s sound design.
Additionally, scenic designer DT Willis has created a jungle-gym of rooftops and fire escapes to bring turn-of-the-century Manhattan to life on stage, bringing Igor Goldin‘s vision to life and complimenting his staging.
While Newsies may not be a profound experience for the high-brow set looking for the next “The Band’s Visit,” it is certainly a romping good time. Engeman’s production will surely ignite a repeat of opening night’s thunderous standing ovation for its entire run.
Singin’ In The Rain, the classic Tony nominated musical based on the wildly famous MGM film, is certainly a must see among theatre attendees. With a Screenplay by Betty Comden & Adolph Greene and Music by Naico Herb Brown & Arthur Freedes, the incarnation at Northport’s John W. Engeman Theatre will surely have you leaving the theatre with a smile. Running through July 1st, closing out the Engeman’s dazzling 11th season, the delightful incarnation is strongly directed by Engeman vet Drew Humphrey.
The story, set in the 1920’s, follows silent film star Don Lockwood, charmingly portrayed by Danny Gardner, who barely tolerates his annoying and meddlesome “leading lady”, Lina Lamont, hilariously portrayed by Emily Stockdale. Laughter abounds throughout the show and we also see a budding relationship between Don and up-and-coming actress Kathy Selden, portrayed beautifully by Tessa Grady.
Mr. Gardner honors the Gene Kelly role well while truly making it his own. A great voice and classic look make him a natural for the part. Additionally, his fantastic rendition of the iconic “Singin’ In The Rain”, complete with sheets of rain coming down from the rafters, practically receives a standing ovation from the enthusiastic, sold out audience. As for Ms. Stockdale, her performance brings roars of laughter. While gorgeous for the big screen, Lina Lamont’s speaking – and signing – voice is less than desirable making her, shall we say, perfect for silent films.
And Ms. Grady is a fine Kathy. A quiet confidence and sass serves the role well. Indeed an audience favorite is her exquisite rendition of “You Are My Lucky Star” in addition to the well-known “Good Morning” with Mr. Gardner and and Brian Shepard who portrays Cosmo, Don’s best friend. Mr. Shepard is excellent as Cosmo who also serves as the fictional movie studio’s head musician. He and Mr. Gardner did some incredible tap numbers including “Moses” in Act One and “Broadway Melody” in Act Two.
In addition to the outstanding cast, the musical direction is superbly done by Jonathan Brenner leading a fantastic live orchestra with Kurt Alger‘s gorgeous costumes enhancing the visually stunning production. Yellow colored rain coats and umbrellas adorned the cast for the big final number and it is apparent that everyone in the company is enjoying Mr. Humphrey’s energetic choreography. As you can see, everyone on the cast and creative team is truly top-notch.
Indeed, you will be happily singin’ in any type of weather once you’ve seen this production. A wonderful cast, gripping story, and Long Island’s fabulous John W. Engeman Theatre prove a classic never goes out of style.