Smithtown Matters Review

‘A Gentleman’s Guide To Love & Murder’

March 21, 2019
By Jeb Ladouceur

‘A Gentleman’s Guide…’ is unlike any other play you are likely to see this season or … for that matter … ever! Similarly, the musical version of a 1907 novel by Roy Horniman titled ‘Israel Rank – The Autobiography of a Criminal’ is quite possibly a reviewer’s worst nightmare, because no fewer than eight (count ‘em) eight of the dozen major roles are played over a 150-minute span by a single actor (Danny Gardner)!
If the madcap goings on … about conniving heir Monty Navarro (played by Sean Yves Lessard) who is ninth in succession to inherit the family fortune … were not so convincingly conceived by writer Robert L. Freedman (he adapted the farce for the stage), and cleverly choreographed by Vincent Ortega (a comic genius if ever there was one), it might be impossible closely to follow the proceedings that tumble across the John W. Engeman proscenium in a torrent of hilarity.
But the sly Navarro rivets our attention by figuring out novel ways to knock off those relatives who stand between him and the jackpot he covets. These dastardly devices include everything from death by bee sting, to decapitation while weightlifting. It’s all very farcical stuff, but this critic has seldom had as much fun in the theater.
Highlight of the evening is a vaudeville-style song and dance routine featuring two males that once might have been thought a bit naughty, but in our so-called ‘progressive’ age, has to be considered rather tame. It’s titled ‘Better With a Man’ and that said, one need not go into further detail to describe its content. Suffice it to say, hoofers Lessard and Gardner steal the play with their show-stopping routine. It’s very funny … superbly polished material.
Without question, in this musical the supremely talented Danny Gardner has been handed one of the most complex theatrical assignments imaginable. If you thought any actor taking on the dual roles of Dr. Jekyll and Mr. Hyde had his hands full, you ain’t seen nuthin’ until you’ve watched (and heard) Gardner act, sing, and dance his way through eight juicy parts (of both sexes, yet) as if he were absolutely born to each role.
But while everyone is good in this show … the workmanlike dressers who see to Gardner’s numerous costume changes, though they are never seen onstage, deserve a special nod of appreciation. Some of these unheralded staffers work their miracles in a matter of 15 or 20 seconds … and that often includes applying and removing the star’s makeup as well as his clothing. Geez! We should have a special category for acknowledging the expertise of such professionals.
Meanwhile, perhaps it will serve to give the plaudits to ‘A Gentleman’s Guide…’ Director, Trey Compton. He will know how the kudos should be distributed. This musical could not possibly work without the diligence of its dressers.

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