Engeman’s Saturday Night Fever Burns Hot
It’s hard not to tap your toes and bob your head when hearing “Stayin’ Alive” as your favorite disco classics take form in the ’70s spectacular musical “Saturday Night Fever.”
This energetic rendition of the blockbuster film will make anyone want to hit the dance floor and do the hustle. The classic movie gets a musical twist with characters singing and dancing their way through life’s challenges with the help of the Bee Gees and other disco legends. It tells the story of Tony Manero, played by Michael Notardonato, a teen dodging his problems through his love for dancing.
“It’s a coming of age story,” Notardonato said in an opening weekend interview. “It’s about this 19-year-old guy, that’s trying to break out of his no-good neighborhood and rise above the struggles he’s grown up around.”
Throughout the musical, Tony encounters characters who pull him in different directions. He finds himself consumed by Stephanie Mangano, played by Missy Dowse, a refined dancer that wants to escape Bay Ridge and make a new life for herself in Manhattan. As the pair practices for an upcoming dance competition, Tony realizes he wants more than living at home and working at a paint shop.
“The message I hope people take away is no matter how trapped or stuck you are in your current situation, you can overcome that by finding a few guiding lights in your life,” Notardonato said. “It’s about choosing your happiness and finding your own path.”
As Tony figures this out, he and the cast share sensational numbers on the 2001 Odyssey dance floor, with choreography that masters the decade’s scene. The cast moves with precision while performing, “Night Fever” and “You Should Be Dancing,” giving the feel of a crowded club moving in unity to their favorite song. These disco hits take new life when performed by Monty, played by Colin E. Liander, and Candy, played by Gabriella Mancuso, who perform soulful renditions of “Disco Inferno” and “More than a Woman.”
“Learning choreography for Saturday Night Fever, it’s very important to capture the 70s vocabulary, especially because the audience is familiar and grew up with this style,” Notardonato said. “We gotta give them a hustle.”
The actors commit to their roles completely, embodying Brooklyn through their accents, style and mannerisms. With casual, conversational dialogue, they build realistic relationships between friends, lovers and even parents and children. As a first generation Italian, Notardonato feels he can relate to his character and puts his own twist on the iconic role, while keeping famous scenes intact.
“When I play Tony, I like to bring out the youth in his character,” Notardonato said. “I play him a little goofy, because he is a ladies man and a bit of a womanizer, but he’s also 19 and doesn’t know much. He’s learning a lot in the time the audience sees him, you get to watch him grow up.”
You can’t have the Bee Gees, without a group of guys harmonizing and hitting those falsetto high notes. Tony and his friends, who call themselves “The Faces” are the ultimate guy group, that move and groove in the song “Boogie Shoes.”
“We want the audience to take a trip back in time, have a nostalgic moment and maybe see the glimmer of their youth,” Notardonato said. “For people my age, we can relate to the characters and see that you can change anything about your life, you just have to go ahead and do it.”