September 17, 2018
By Jessica Kennedy
Northport’s Engeman Theater opened its doors for the fall season with a beloved classic and winner of 5 Tony Awards, including Best Musical, Man of La Mancha. Produced by Richard Dolce and directed by Peter Flynn, this iconic play based on Cervantes’ magnum opus, Don Quixote, enthralled its audience with a star- studded cast and a wonderfully whimsical rendering of the literary classic.
The play opens as Miguel de Cervantes, played by the charismatic Richard Todd Adams, finds himself locked up with his loyal manservant, (the comical Carlos Lopez), and awaiting questioning by the Spanish Inquisition for foreclosing on a monastery. They are not welcomed warmly, as their fellow prisoners seek to put Cervantes on trial themselves in a thinly veiled mascarade to plunder his meager belongings. When the leader of the ragtag group dubbed the “Governor” (the endearing Bruce Winant) sets his eyes on destroying an unfinished manuscript, Cervantes wheedles his way into casting the squalid and miry lot into performing the manuscript with him- aiding him in his defense, and helping them all keep their mind off the threat looming just over their heads. What follows- the story of a bewildered, yet beloved Don Quixote (Adams), and his loyal friend and servant, Sancho Panza (Lopez), as they seek to fight the evil forces of the Great Enchanter and win the favor of the spirited and beautiful Aldonza, or should I say, Dulcinea (the dynamic Janet Dacal), makes for a layered and enchanting theatrical experience.
Upon entering the theater you first notice the beautiful piano bar and lounge area, where you may order a drink conceived for the show, such as a “Dulcinea” (Stoli Apple Vodka, Caramel Syrup, & Apple Cider, anyone?) and sip it leisurely as the theater pipes a Spanish melody through the lobby and lounge. Once a gentle chime announces the timely start of the show, you will make your way into the stadium- style seating theater and find that no matter where you are seated, you are exactly positioned for a great viewing experience. From the time the full orchestra pit strikes that first note, you know you are in for a polished and professional performance. The sound is even, and the volume is just right (credit to the Musical Director, Julianne B. Merrill and the Sound Design team led by Don Hanna). Additionally, the scenic design (Michael Bottari & Ronald Case) adds depth and reality to the scenes, with both trapdoors and ladders, and a functional drawbridge which ominously lurches up and down, jarring the prisoners (and the audience) from the storytelling of this frame narrative, reminding us of the danger awaiting our storyteller/hero.
This play is sharply cast and the production staff’s talent shines brightly in the lighting (Alan C. Edwards), the set, and the sound. For a total package theater experience, head to the Engeman Theater and you will not be disappointed. Although tragic in its undertones, the cast brings beauty and humor to this story- you will leave uplifted and unable to get Don Quixote’s timeless lyrics of “The Impossible Dream” out of your head and calling all your loved ones “Dulcinea” (or maybe that’s just me)!
One last note- while the content of this show is overall very suitable for a wide audience, it does contain one scene in particular which is mature in nature. Parents should be advised that there is sexual innuendo and implied sexual violence, so leave the little ones at home and come get swept away in the story of Don Quixote as he seeks “to reach the unreachable star” in a quest full of pluck and valor!
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